Grand old auntie at 90

Auntie Lilian, my father Frank’s younger sister turned 90 and I threw an afternoon tea for relatives to celebrate . The old lady, who lives in  a self-contained hostel unit, is the matriarch of our large extended famil. My 93-year-old dad and my other two surviving aunties, Yvonne and Betty, her widowed sisters-in-law were other elderly guests.

As they sit on the settee sipping from pretty porcelain cups, I mull over their lives and how tragedies in Lilian’s and Yvonne’s lives taught me profound lessons about  grief.

Yvonne’s only son was 15 when he had an road accident in Crafers and was killed instantly. I will never forget that evening when my mother sent me, the oldest of her five children, to comfort her the same evening as the tragedy.

I didn’t know it then but I experienced a hard lesson of life in the cruel nature of grief, how it renders people emotionally numb. My auntie was so grief-stricken that I could hardly stand to look upon her pain. Recently, Yvonne also lost an adult daughter, my younger cousin to cancer, which has left her with only one daughter, Trudy, because her husband, Uncle Alan died about a decade ago.

Lilian, too, has had a walloping of grief in her early married life. She has only one son, who did not attend her birthday party, but she also gave birth to a little girl, named Heather in Renmark Hosdpital on Christmas Day. She was the second child and nobody noticed in the skeleton staff that Heather was a rhesis baby, which meant her blood was different from her mother. Despite an ambulance dash to Adelaide, tiny Heather died. I can still recall that little white coffin propped up on the arms of a chair in grandma’s humble State Bank bungalow alongside the railway line at Islington.  I was five or six years old. I can picture Lilian that day, sitting, prostrate with grief, unable to say anything to anyone.  I can still remember watching the sad troupe of family and church friends walking behind the hearse over the railway line  to the Islington Cemetery opposite grandma’s house.

Ten years ago, when I interviewed Auntie Lilian on her 80th birthday, I asked her the saddest moment of her life and the gentle old lady wept for the daughter she had lost 50-something years ago. Yet, today, the sun shines outside and myt Auntie is all smiles as sister Anne leads her to blow out the candles on her cake and we all sing “Happy Birthday’.

My grandmother, Emily was pregnant with Auntie Lilian on the sea voyage out from England in 1921 when she and grandpa, Harry, migrated with their two little boys, my dad, who was 2 and Uncle Les, who was one year old. When we travelled back to meet the English family in  1978, we learnt that grandma had been sick every day of the four-month voyage she described as a “never-ending nightmare’’.

Dad’s family has not been close-knit, but Auntie Lilian and I have shared our lives sporadically and I have taken the aunties out to lunch for Lilian’s birthday for the last few years.

I had not seen Trudy for 35 years, but we connected again instantly although I am almost a decade older.

The elderly aunties arrived with scones and shortbread to add to the cup cakes, apple tarts, , spinach turnovers, quiches and sausage rolls that I made this morning. My mother, Florrie, always cooked up a wonderful afternoon tea, and my sister Anne upheld family tradition by bringing rum balls, It looked a magnificent spread around the birthday cake.

The  Aunties are ageing well, but it is dad, who is visually impaired and deaf, who holds court, leading conversation. But first he weeps, touching his sister and saying “Is it really you, Lil?’’

He lives in low residential care at Renmark and had telephoned me to ask to see her for her birthday. Dad makes rare requests and so my son, Tyson went to Renmark to pick him up and he is staying with us at our home. Once he is settled in his chair, next to his sister, he reminisces how Lilian had played a pivotal role in meeting our mother, who was working as a Land Army girl on picking fruit block on the adjoining block.

“I saw your mother on the bus, this stunning looking brunette in shorts and I said to Ted (Lilian’s husband) “how do I meet that girl”?,’’ dad recalls.

“He answered ‘Well, Jim borrowed my ladder and you can go and get it back if you like’,’’ he says.

He laughs and adds “And look at all the people here today from our meeting.’’

There are 15 people here today, by no means all the family, and not my two daughters particularly, who live interstate, but we are bonded by blood and marriage and. amazingly, we are aged from 17 to 93. My only regret is that mum isn’t here to enjoy the party.

As the old aunties, full of thanks and praise, climb into Trudy’s car, it occurs to me that I feel uplifted by giving pleasure to others – and in retirement I have the time to enjoy.

 

Welcome Giulia, Farewell Loulou

The year in France had its moment of joy with the birth of Giulia Sarkozy, daughter of one-time supermodel  Carla Bruni-Sarkozy, 43, and the French president, Nicholas Sarkozy. (Hands up those who thought the marriage wouldn’t last).

Mr Sarkozy missed the birth because of an urgent meeting in Frankfurt to try to stitch up a rescue package for the Eurozone crisis with German Chancellor Angela Merkel.    He spent a mere 50 minutes with the infant and her mum before rushing off to a waste disposal centre in western France, thus dismissing his paternity leave rights.

“We are fortunate enough to have a great joy,’’ Sarkozy told the assembly of workers.

“All the parents here can understand our very profound joy, a joy that is all the more profound for the fact that it is private.’’

They cheered the president and presented him with a bib for the new bub, an oak tree for the garden and Mince Alors, a book for Carla. Ironically, translated as “Thin Then’’, the book gives advice on losing weight, particularly after pregnancy and how not to become obsessed with dieting.

Ironically, Carla is making a very public appearance right now in cinemas around Australia with a bit part as a tour guide in Woody Allen’s latest film, Midnight in Paris.

French media reckons France’s First Lady is unpopular,  yet Italian-born Carla has proved to be a stylish, gracious and beautiful consort to the President.

Marriage matters in France and family is still the foundation of French society, and although opinion polls show that Mr Sarkozy is behind his socialist rival, Francois Holland, a baby in Elysees Palace could well be a trump card.

On a much sadder note, French fashion legend, Loulou de la Falaise, Saint Laurent’s colourful muse, died at her home in northwest France this year, aged 64.

Louise Vava Lucia Henriette Le Bailly de la Falaise acted as Yves Saint Laurent’s “creative partner, confidante and sentinal’’ for three decades from 1972 until 2002, according to the obituary published in The Times.

She had eccentric roots with a wild Irish beauty, Rhoda Lecky Pike as her grandmother and a mother who said she christened her newborn daughter with perfume instead of water in 1948. However, because of her mother’s many affairs, little Louise was placed in foster care.

At age 20, she was a junior editor of Queen magazine when she met Saint Laurent, who had established his fashion house six years beforehand upon the death of Christian Dior in 1958.

De la Falaise and Saint Laurent immediately took to each other. “Apart from her striking red-haired, wisp-thin beauty, he was attracted by her directness of manner and edgy sense of humour.  After a disastrous showing in 1971, she appreciated his gesture in sending her a box of high-cut emerald green fox fur coats,’’ The Times reported.

Within three years, Loulou was in Paris working with Saint Laurent, making jewellery for his fashion shows.

Loulou launched her own fashion label and eccentric accessories upon the retirement of Saint Laurent.

Once when asked what clothes she collected, she said: “I don’t collect clothes – I hand them down. They do sometimes turn into a pile of dust, but that’s tribute to a good life.’’

 

Oscar has overtaken our house

Meet the newest member of our household, a handsome, hybrid poodle/Maltese/Shi Tsu named Oscar. Our new puppy is an adorable bundle of fluff, champagne coloured with an angelic face which belies his wicked playfullness.  He is the tiniest little soul and yet he is like a charged electric current of energy in our household.   He wakes at  about 6am, he whines to be let into our bedroom and he then bounces about our bed like the bunny in the battery TV ad. The four-legged dynamo does not stop racing through the house, chasing his own tail around the lawn, and already at 11 weeks of age, he has developed eccentricities.  He loves shoes and shoe-laces and has a thing for smelly socks! His teeth have the strength of a lion already because he will drag husband Olivier’s big shoe – bigger than Oscar himself – down the hall to his lair. His new padded basket is where he deposits his precious things and he doesn’t mind being popped into a carry bag provided he can poke his head over the top.

His favourite toy is a fluffy mouse and he has learnt how to stamp his paw on a pirate toy which squeaks.  Some of our well-meaning friends questioned the wisdom of buying a puppy because of our harrowing journey with Olivier’s cancer, which continues. Yet Oscar has been the best decision. He is one big bundle of joy to us both and we are like doting parents, laughing at his antics throughout the day; worrying if he is out of sight. But the best outcome is that Oscar has become our focus on happiness – an antidote for the sadness which lurks in our life. And his playful tricks keep our minds off Olivier’s cancer prognosis.  He is a big part of the art of living fearlessly in the shadow of terminal illness.

However, one of the big problems with owning a puppy is toilet-training as this is crucial for the future enjoyment of having a pooch in your everyday life.  Luckily, Oscar’s breeder, an efficient woman named Rae, had trained him to piddle on paper and our beautiful new home is now strewn with patches of newsprint at every doorway,  which he uses most of the time.  The idea is you gradually reduce the number of newspapers to just one, by the doggie door. However, his poops are another matter altogether and we must watch our feet and keep the carpeted bedrooms closed.  This is the reason he has been banned from sleeping in our bedroom overnight.

Any words of wisdom about toilet training puppies out there in cyberland?

Meanwhile, here are the latest pix of our 11-week-old puppy.

Talent galore

[left] Valli, Jenny, Suzie, Sarah, Host Marie, Ursula and Lynley

What a talent pool of artists this festival state of ours has spawned.

When naïve artist Marie Jonsson-Harrison held a girlie lunch for a group of fellow female artists, they were invited to bring samples of their works which revealed amazing diversity in medium and artistic style.

The group has been meeting irregularly for 20 years, and was founded by three naïve artists – Valli Palmgren, Ursula Kiessling and our host Marie (of course), who then invited other artists to attend as guests.    These include Jenni Mumford and Lynley Cooper,  both recognised contemporary artists and Marie’s neighbours Sarah Philips, who is a talented muralist and abstract artist and Suzie Flashman,  whose medium is photography.

It was an exciting, stimulating meeting of talents – and all in an exceptional environment on her large balcony seemingly suspended in the sky with far reaching views up and down St Vincent’s Gulf.  And vegetarian Marie’s table was stacked with healthy foods, too. A wonderful gathering of the sisters!

 

Are We Any Different? by Cheryl Bridgart

Nadine with Cheryl

Popular textile artist Cheryl Bridgart is delighted at the success of her present exhibition, Are We Any Different?  at the Adelaide Zoo’s exhibition space.

As always, Cheryl presents her artworks with great style and the Zoo is the idea space for her mix of paintings and embroidery which depict the relationship between animals and humans in  vibrant fashion.

Opening night was a wonderful statement  of her talents exhibited in  the ideal venue at the new exhibition centre at the gates of the Zoo.

The space was packed and she sold 29 paintings of the 45 on display on the night.  Cheryl  spent 12 months sketching the animals at the Zoo and Monarto and then used acrylic paint on linen for the paintings, but she embroiders on paper which she has washed beforehand.  “It takes hundreds of hours to have the stitching create the artwork,’’ she says.

Cheryl  is known  internationally for her fine art freestone machine embroidery where she creates portraits and fant

some of Cheryl's "chefs d'oeuvres"

asy pieces, animals and landscapes.

In a recent accolade, the Zoo has extended the term of the exhibition until January 31.

“I wanted to capture that blend of human and animal connection and on opening night many people told me the art brings back childhood

memories of visits to the Zoo,’she says. “ Everyone had their stories and everyone had a favourite animal.’’

Her home/studio is the restored historic Pikes former horse stables in Carrington Street – also an exotic exhibition space where she displays her works.

“I have sold five more paintings since opening night with people telephoning to see what else I have for sale and visiting me here.’’

On Interior Style:

 

Our colourful entrance foyer

A new home is like a blank canvas waiting for the first brush of the artist’s stroke – it’s a unique opportunity to express one’s personal interior style.

I have never been minimalist – a nice way of saying I have always lived with clutter and Olivier has been the same, so creating a relaxed, simple interior in a contemporary home isn’t going to be easy. Especially as we have two houses of stuff from former lives to accommodate. Without a steady hand, the interior could become a mish-mash of incongruent things plonked around the place in a harsh confusion.  Or our living space could become a wonderful statement of our own evolving style. Whatever. It is going to be fun!

I glean information from many sources, my friends’ stylish interiors, public places and books. Such as my coffee table collection of books – French Chic by Florence de Dampierre, who writes on the art of decorating houses and how the French have honed interior décor into an art form the extravagance of the Sun King Louis XIV. And Simple Style by renowned British freelance stylist Julia Bird, who reckons the essence of contemporary style is simplicity – about clearing away the clutter and streamlining the home to create an unfussy, easily liveable and comfortable environment.

This sounds an awesome task for this bowerbird, until, coincidentally, I find that Lucinda Holdforth includes delightful snippets of French style in her book True Pleasures: A Memoir of Women in Paris.

She writes about Nancy Mitford, one of the famous Mitford sisters, who lived in Paris from 1947 to 1967:  “I know the apartment was neither large nor grand, but furnished with a few fine screens, antiques and fresh flowers.

Here Nancy Mitford wrote her books and letters, wearing her Dior dresses and a small string of pearls.’’

This excerpt pleases me as our antiques sit comfortably within our contemporary home and I always have fresh flowers in the foyer at least. We have a delightful tapestry in our bedroom also, but, I won’t be found wearing either Dior or pearls as I write.